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Brian Walker
"Neighborly Do's and Don'ts"
Louisville, KY
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An Interview with the Playwright
How did you hear about “The
Seven”?
I heard about The Seven through
my Dramatist
Guild Resource Directory and it was
also listed on The
Playwrights' Center's website.
What
was the impetus/basis/inspiration for writing the
piece?
The inspiration for the piece is pretty straightforward:
it came when I realized that I had not received my
girl scout cookies from the little girl I had ordered
them from three houses down and started seeing them
being sold at the entrances of local grocery stores.
I
was convinced that someone in my neighborhood must
have stolen mine as I told her she could just leave
them in my door if I wasn't home. Days past but
instead of going door to door to interrogate my neighbors,
I wrote the play and my cookies arrived the next
week;
the little girl had the flu and was late getting
them out, which, by that time, was fine by me because
I had gotten a play out of it.
Is
this play representational of your writing style?
Is it similar to or different from your other plays?
This play is very representational of my writing
style. I like writing plays where the audience doesn't
know exactly where they should be laughing; or if
what they're watching is even supposed to be funny,
or maybe half the audience thinks it's funny and
the other half of the audience is mortified. I like
writing characters that are flawed in some way?and
that really need something (whatever it?is...cookies
even...) in order to get out of bed in the morning
to face the world.
What
is
the role of the short work in your playwriting
career?
The short play has been so instrumental to my writing
career as it has given me the opportunity to really
hone my craft while getting my work out there into
the world. I love that short play festivals are
so popular because for me there are so many moments,
so many instances or people or situations that I
think, 'that would make a good play' but there would
never be enough time to write them all down into
full length scripts. So I'm always writing short
plays and I'm always sending them out. The ten minute
play allows me the opportunity to get those impulses
out there; even when simultaneously working on a
larger project I may be blocked with or just need
a break from.
What is your favorite play? Who is your favorite
playwright?
My favorite play is A Bright Room Called
Day by Tony
Kushner because it makes me weep every time I read
it and my favorite playwright would have to be Christopher
Durang who just inspires me and his plays makes me
laugh and think and want to have fun with my own
truths.
What is your next playwriting venture?
In the last week I have just completed a full length
play, CAGE (or the other side of tomorrow) which
is about a society which eats its criminals instead
of incarcerating them. Plus it's a love story.
And there are dancing cows. I'm hoping to begin
submitting it this summer.
Is there anything you would like to add?
Thank you so much to FUSION Theatre Company for producing
my play and sharing my voice with this community;
it is such an honor to be included with the other
six playwrights and have my work brought to life
by this group of artists.
Brian Walker
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Brian
Walker (Neighborly Do's and Don'ts)
is the artistic director of Louisville, Kentucky based Finnigan Productions.
He has written and produced several full length
plays in the Louisville area, including: Smoke
this Play, Great American
Sex Play, dirty sexy
derby play and ZOMBIE!.
He is the creator and co-producer of Finnigan’s
Festival of Funky Fresh Fun, an annual 10-minute
play
festival celebrating independent theatre artists
in the Louisville area. His short play, Paradiso
Airlines, was part of 2009’s
Actors Theatre of Louisville Apprentice Program’s
24-Hour 10-Minute Play Festival. His short
play, Purple
Cool-Aide Cult from Purpletown, was
an official Play-Lab selection at 2009’s
Great Plains Theatre Conference in Omaha, NE.
His full
length play, The Kings, was
part of the Juneteenth Legacy Theatre’s
2009 Juneteenth Jamboree at Actors Theatre
of Louisville and part of
the 18th Annual R. Joyce Whitley ARENAfest
Festival of new plays in Cleveland, OH in May
2010. His short play, Jupiter’s
Moons won
the jury prize and the audience favorite award
in March 2010 at Bellarmine University’s
Anything Galileo 10-Minute Play Festival.
His short play Linda & Kirk & the
Mouse Incident was selected for Theatre
Southwest’s
5th Annual Reader’s Theatre Festival
in Houston, TX in March 2010, Appetite Theatre’s
Bruschetta Festival of short plays in Chicago,
IL, Actors Theatre of Louisville’s The
Late Seating; both in October 2010, The Kentucky
Playwrights Workshop New Play Festival in Lexington,
KY in November 2010 and Louisiana State University’s
Out-fest 2011 in Baton Rouge, LA in March 2011.
His short play Latch/Gem was
a semi-finalist in KNOCK magazine’s
2010 International Play Contest. His short
play I had to meet
you like this (here) (one more time) was
selected for Stage-Q’s Queer Shorts 6
in Madison, WI and The Ringwald Theatre’s
Gay Play Series both in June 2011. Brian was
awarded
the Al Smith Individual Artist Fellowship Emerging
Artist Award for playwrights by the Kentucky
Arts Council in July 2010. He is a member
of The Dramatists Guild, The Playwrights’ Center,
The Kentucky Theatre Association, The Kentucky
Playwrights Workshop and the Theatre Alliance
of Louisville
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