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Lyn Kidder
"Playing with Fire"
Ruidoso, NM
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An Interview with the Playwright
How did you hear about “The
Seven”?
I heard about The Seven from my good friend,
Paul Adamian, terrific director and acting coach.
We were working on a show together when I wrote my
first ten-minute plays and he encouraged me to send
them off.
What
was the impetus/basis/inspiration for writing the
piece?
My inspiration is part of an almost ludicrous obsession
with Los Alamos. I have the same problem with the
Civil War.
Is
this play representational of your writing style?
Is it similar to or different from your other plays?
Since most of my writing is not playwriting, I'm
not sure what my style is, although I've noticed
that I tend to like and to create quiet little stories
in which nothing much seems to be happening, although
there is a lot going on under the surface. No car
chases, or explosions. Sorry.
What
is
the role of the short work in your playwriting
career?
When I wrote my first book, the whole idea seemed
impossible, so I told myself, "A book is just
a series of chapters, and a chapter is like a magazine
article. You've written magazine articles, so just
write ten or twelve more and string them together
and it will be a book." I feel like these ten-minute
plays may work the same way--they are really scenes,
in a way, so if I can write enough of them I should
end up with a whole play. Right?
What is your favorite play? Who is your favorite
playwright?
There aren't too many plays that I don't like, if
they are sincerely acted. I may kvetch a little about
the costumes, or the pace, or how I wished I could
have seen more of one character or another, but I'm
always happy to sit in the dark and be carried away.
My favorite plays are generally the ones I've recently
seen--August: Osage County, The
39 Steps, Twelfth Night.