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Trace Crawford
"And What a Damn Fine Morning It Is"
Hillard, OH
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An Interview with the Playwright
How did you hear about “The
Seven”?
I’m sure I first saw the posting through one
of the online playwright’s groups I follow,
but I also submitted last year.
What
was the impetus/basis/inspiration for writing the
piece?
For better or worse, about six years ago we moved
into the very definition of a stereotypical suburban
neighborhood. The longer we’ve been here the
more things under the vinyl-sided veneer have begun
to either irritate or intrigue me. And the guys
in Damn Fine Morning just crack
me up. I originally wrote it as a one-minute, one-joke
piece, but then I realized there was a lot more I
could mine there.
Is
this play representational of your writing style?
Is it similar to or different from your other plays?
I’m not really sure how to answer this one.
It’s similar in tone to some, but very different
from others. Basically, I’d say it’s
representational of me and my sense of humor more
than a definitive writing style.
What
is
the role of the short work in your playwriting
career?
I’m new to writing (I’d wanted to write
for years, but never had the voice until about a
year and a half ago) so most of what I have written
so far have been shorter plays. That said, I love
the form. Sure, it has significant limitations in
regards to storytelling, but it also provides great
opportunities to explore a concept that might not
be sustainable as a full length.
What is your favorite play? Who is your favorite
playwright?
Who’s Afraid of Virginia Woolf. Albee
has to be #1. But I love so many. John Guare, Sam
Shephard,
Christopher Durang, Harold Pinter, Arthur Kopit,
Samuel Beckett, Woody Allen, Lanford Wilson, Israel
Horovitz, Aristophanes, Bertolt Brecht and Friedrich
Durrenmatt....And how can you not love Shakespeare??
Read anything by any of them and you know it came
from a Great One.
What is your next playwrighting venture?
I’ve got several
things swirling around at the moment, but the first
thing I plan to do is to finish a collection of shorts
inspired by the Seven Deadly Sins. (Incidentally,
And What A Damn Fine Morning is Envy.)
Is there anything you would like to add?
I just want to say thank you to FUSION for including
my work in this year’s festival. And of course,
everyone should drop what they are doing immediately
and go to www.tracecrawford.com.
Trace Crawford
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Trace
Crawford (And What a Damn Fine Morning
It Is) Recent/upcoming productions of Trace’s
work include: NYC: Sundog Theatre, Turtle Shell
Productions, Rapscallion Theatre Collective,
Love Creek Productions, Between Us Productions.
CHICAGO: Point of Contention Theatre Company,
n.u.f.a.n. ensemble. REGIONAL: Black Box Theatre
(RI), Bloomington Playwrights Project (IN),
Celebrationworks (CA), Ensemble Theatre of
Chattanooga (TN), Future Tenant (PA), Independent
Theatre Collective (WV), ITM Films (MN), Lakeshore
Players (MN), MadLab (OH), Mildred’s
Umbrella (TX), Theatre Southwest (TX), Stage
Door Productions (VA) and Pint Sized Plays
(UK). His play Time to Change the Pitch was
the national winner of the 2010 Bloomington
Playwrights Project Awarefest competition and
his play The Lady and ‘The Tyger’ or
William Blake’s ‘How I Met Your
Mother’” will be included
in the Smith and Kraus Best Ten-Minute Plays
2011
anthology. Recent productions he has directed
include Who's Afraid of Virginia Woolf, The
House of Blue Leaves, and Almost,
Maine, which performed
at the 2010 Edinburgh Fringe Festival. A member
of the Dramatists Guild and a theatre educator
for the past 14 years, he has also organized
a quarterly state-wide (OH) improvisational
comedy competition for high school students
since 1999. www.tracecrawford.com
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