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"The Seven:
New Works Fest"

New Mexico's Premiere
New Play Festival

June 18 - 21, 2009

Thurs. - Sat.  8:00 pm
Sun.  2 pm & 6 pm


Seven emerging playwrights.

Seven different directors.

A stellar ensemble of New Mexico's finest actors.


Hurry! Most shows are already SOLD OUT! Limited seats available for added 6PM Sunday show! Reservations are highly recommended! Click "Buy Tickets" for details!

2009 Winners Announced!!

------------

Having received 418 scripts from 37 states and eight countries on our 2009 theme

That One Thing

FUSION Theatre Company is excited to announce the winners in this year's competition!!!

Jury Prize
"Gun Metal Blue Bar" by K. Frithjof Peterson,
Saginaw, MI

"Nothing" by Philip Dawkins, Chicago, IL
"Laying Off" by James McLindon, Northampton, MA
"Amy's Wish" by James Caputo, San Diego, CA
"Canadian Tuxedo" by Nicole Pandolfo, New York, NY
"Just One Thing" by Marcia Cebulska, Topeka, KS

and a special shout out to our first local winner:
"I-95 and Mass Pike" by Kyle Paoletta, Albuquerque, NM

click to learn about our winning playwrights!


"The Seven" winning scripts will receive a full-production.

The winner of the "Bob and Gail Bosser Audience Choice Award"
is "Amy's Wish" by James Caputo

PERFORMANCE DATES: June 18th-21st, 2009
Thursday-Saturday at 8:00 pm, Sunday at 2:00 and 6:00 pm

LOCATION:
The Cell Theatre
700 1st St. NW, Albuquerque, NM 87102

This weekend of performances will sell-out, so advance reservations are highly recommended.

All entries to FUSION's "The Seven" 10-Minute Play contest are read "blind" (all identifying information withheld from the judges), ensuring a level playing field for all. The script quality was excellent this year necessitating tough choices with these, our additional...

Interviews With This Year's Winners

1) How did you hear about “The Seven”?
2) What was the impetus/basis/inspiration for writing the piece?
3) Is this play representational of your writing style? Is it similar to or different from your other plays?
4) What is the role of the short work in your playwriting career?
5) What is your favorite play? Who is your favorite playwright?
6) What is your next playwriting venture?
7) Is there anything you would like to add?


J Caputo

M Cebulska

P Dawkins

J McLindon

N Pandolfo

K Paoletta

KF Peterson

click on a playwright's photo to read his/her response!

Finalists

"The Best Medicine" by Mark Cornell, Chapel Hill, NC
"Ten Million Pieces of My Heart" by Alex Broun, Newton, Australia
" McManus in the Chair" by Peter Diseth, Albuquerque, NM
"84" by Jonathan James Norton, Dallas, TX
"Aside From That Mrs. Lincoln" by Tony Greenleaf, Lyme, NH
" Copier Jam" by Sarah Sander, Minneapolis, MN
"The Numismatist" by Christie Perfetti, New York, NY
"The Delivery" by Elizabeth Bove, London, England
"Coitus Hate-Us" by Hillary Rollins, Santa Monica, CA
"Apples and Oranges" by Deborah C. Singer, Vancouver, WA
"Snapshot" by Michael Carnick, Del Mar, CA
"Moline Dream, Iowa" by Aliza Einhorn, Brooklyn, NY
"Hamlet in Hiding" by Rich Rubin, Portland, OR
"Faith in the Super Bowl" by Dean Lundquist, Singapore


News Flash!

FUSION Theatre Company is elated to announce that last year's Jury Prize and Bosser Audience Award winner, Jen Silverman's "The Education of Macoloco," has been selected to be produced as part of the Samuel French "Off Off Broadway Short Play Festival." FUSION will be sending local Equity actors Laurie Thomas, Bruce Holmes and Ross Kelly to NYC in July to recreate our production from last year. We've also learned that one of our seven this year, "Laying Off" by James McLindon, starring Jacqueline Reid, Ross Kelly and Paul Blott, and directed by Laurie Thomas, has been accepted as well and the playwright has agreed that our production will represent him. The OOB Festival runs July 14-19 and will be held at Peter Jay Sharp Theater, 416 W. 42nd St. Further information may be found at the official OOB site here. If your travel plans take you to the East Coast this summer, we'd love your support for New Work from FUSION Theatre Company's "The Seven."


[a note from the webmaster....
You may be wondering, "So, where's the review for the 2009 version of The Seven?" Beats us. Critic was there, had a great time, but nothing published. Unfortunately, as in too many cities in the US, our afternoon daily has bit the dust and the morning paper has gone from an eight-page Arts section to four. Reviews of all arts have been cut drastically. Never mind that many, many folks read the paper ONLY for the arts coverage, when it's there. So, we've included a slideshow below from the current festival and we'll invite you to be your own critic. For what it's worth, many patrons told us what a terrific evening this was with excellent writing and performances.]


click to play a YouTube slideshow of "The Seven: Just One Thing" New Works '09

Marissa Greenberg, review, June 21, 2008 (on-line), Albuquerque Journal:

In Jen Silverman’s The Education of Macoloco, Anessa teaches her son bizarre trivia and the so-called “facts of life.” But Anessa withholds the truth of Macoloco’s paternity and, until the play’s conclusion, of her inner life. Such silences befit the winner of the Jury Prize of The Seven: Something Left Unsaid, FUSION Theatre Company’s New Works Festival.

Now in its third year, the festival received 417 short works from 41 states and 6 countries. The jury reads submissions “blind” and chooses 7 for performance. This year’s winners suggest a bright future for the international stage. In particular, expect to hear again from Silverman. Silverman, who graduated from Brown University in 2006 and begins the MFA program at Iowa Playwrights Workshop this fall, had 2 plays in the festival.

Like Macoloco, Silverman’s Notes on Drowning (For the Man Who Cannot Make the Journey) withholds essential information until the end. The final revelation belittles mundane suffering yet proves oddly life affirming. Strong direction (Jen Grigg and Elizabeth Huffman) and solid performances energize Silverman’s learned, witty and affective scripts. Laurie Thomas gives an especially impressive performance as Anessa, a physically and emotionally demanding role.

Other plays invite the audience to deduce what is left unsaid. The title of Craig Abernethy’s That Day refers to September 11, 2001. Kirsten and Toby (compellingly performed by Ravenna Fahey and Michael Finnegan) never specify the date, but as they describe an exhibition of photos taken in the tragedy’s aftermath, the audience can fill in the blank. Despite its intentional evasions, That Day is rawly honest. Like the exhibited photos, it demonstrates that art can render reality “too real.”

Perhaps the most amusing play, Teddy Knows Too Much by Matt Hanf (Jacqueline Reid directs), also includes a profoundly disturbing silence. A mustached and uproarious John Hardman stars as 3-year-old Billy, who surreptitiously torments his family in order to secure his parents’ attention. Mom and Dad (Lou Clark and Bruce Holmes are hilarious) look for simple solutions to Billy’s behavior. First they give him a stuffed teddy bear who becomes privy to all Billy’s secrets and therefore must be silenced. Teddy’s flushing is followed by medication. In a final tableau, Hanf’s implicit commentary on parenting in America ceases to evoke laughter.

What ought not go unsaid is that The Seven is worth seeing.


With the inception in 2006 of our The Seven: New Works Fest, FUSION Theatre Company has been pleased to host a wonderful new way to fulfill our mission of presenting fresh, new works of extraordinary merit.

To view our previous "Seven" productions, click here.

With an annual theme selected by our patrons via on-line voting, FUSION Theatre Company has seen exponential interest from talented playwrights the world over. Our inaugural festival in 2006, with the theme Games People Play, drew over 70 submissions, from which the top seven were selected by our artistic staff. They were professionally produced, acted and directed and were enthusiastically received by full houses.

The word got out: the following season, our patrons chose No Regrets as the theme and over 350 playwrights from 39 states and 6 countries responded. The caliber of the top submissions was so spectacularly good, our staff chose seven for the main fest, and produced another seven for cabaret offerings.

For 2008, our patrons chose Something Left Unsaid which provoked over 400 entries from even more places!

Even greater things are planned for 2009, our patrons having just selected our theme for this year: That One Thing.

You'll want to make your reservations now; last year's Festival, The Seven, was completely sold out. Expect the unexpected as FUSION Theatre Company selects a crop of diverse and intriguing new works to be presented by the finest directors and actors in New Mexico.


If you are a writer interested in submitting a new work for adjudication, please see our guidelines here. We'd love to see your take on this year's theme: That One Thing.




K. Frithjoj Peterson

K. FRITHJOF PETERSON (Gun Metal Blue Bar) got his start writing articles for Hollywood Previews and television treatments for a small production studio in Santa Monica, California. His plays have been performed throughout Michigan and Chicago, as well as The Kennedy Center in Washington, DC where he was awarded a fellowship as a national finalist for their 10-minute Play Award. He recently received a Frostic Creative Writing Award and a creative research grant through Western Michigan University (WMU) for his body of work. Currently, he is the drama editor for Third Coast literary journal and working on his new full-length play, Bad Henry, which is in development for a staged reading through WMU’s New Play Project. He's very excited to be working with Fusion Theatre Company.


Marcia Cebulska
MARCIA CEBULSKA's (Just One Thing) stage plays, including Florida, Centaurs, Dear John, and When the Bough Breaks, and Touched have been produced at The Georgia Repertory Theatre, HERE (NYC), the Phoenix Theatre, Frontera at Hyde Park, Fremont Centre Theatre, The Theatre Building and elsewhere. Marcia has received the Dorothy Silver Award, the Jane Chambers International Award, Kansas Arts Commission and Indiana Arts Commission Master Artist Fellowships, “Best Historical Film” (Traildance Film Festival) and numerous other honors. Her Now Let Me Fly , commissioned for the national celebration of the 50th anniversary of the Brown v. Board decision, has been performed at over two thousand venues internationally from New Orleans to Cyprus and filmed for a French documentary. Through Martha’s Eyes, for which Marcia wrote the screenplay, was aired nationally on PBS last February. Her plays have been chosen for development by the Eugene O’Neill National Playwrights Conference, Sundance Playwrights Lab, the William Inge Theatre Festival and Shenandoah Playwrights Retreat. She has been playwright-in-residence at The University of Georgia, Mary Anderson Center for the Arts, Marion College and The William Inge Center for the Arts. Marcia attended Barnard College and Columbia University School of the Arts. She is a member of The Dramatists Guild and Chicago Dramatists and is a Fellow of the Center for Kansas Studies. Marcia is currently working on a stage play entitled The Bones of Butterflies and a film script entitled The Dogs of Eden.


James Caputo
JAMES CAPUTO (Amy's Wish) is a winner of The Ashland Oregon Festival, The Palm Springs International Festival, The New York Public Television Competition, The NYC Underground Festival, The Theatre Oxford Competition, The Hollywood First Stage Competition, The Theatre Conspiracy Competition, The Dubuque Fine Arts Contest, The Camino Real Festival, The Fritz Blitz, The Harvest Theatre Competition, The Ashland Oregon Slam and several San Diego Festivals. His plays have been produced in New York City, Hollywood, Ashland, Florida, Virginia, Ohio, Iowa, Orange County, Palm Springs and San Diego. Jim is an actor, director, playwright and a member of the Dramatists Guild. He resides in San Diego..


Kyle Paoletta
KYLE PAOLETTA's (I-95 and Mass PIke) previous produced works include The New Adventures of the Silver Rope: The Majestic Illusion, and Deux Revolutions; both by Tricklock Theater Company as a part of the Manoa Project Teen Playwriting Competition and Apprenticeship (2006, 2007). The Silver Rope was also produced at Albuquerque Academy’s Simms Center for the Performing Arts in 2007. His other recent works include A Nightingale in the Sand, a modern adaptation of Aeschylus’ Oresteia cycle, and Turn it High, Camenae, a memoir of Albuquerque. A recent graduate of the Albuquerque Academy, Kyle is currently studying English Literature and Language and Political Science at Tufts University. In addition to his academic pursuits, he also works as a Scenic and Sound Designer, Stage Manager and Technician at the Balch Arena Theater and Aidekman Auditorium.


James McLindon
JAMES MCLINDON (Laying Off) has, since 2007, had three full-length and nine one-act plays produced in theaters across America and the United Kingdom, eleven of them world premieres. Distant Music has enjoyed four productions and is slated for a fifth this year at the Black Swan Theatre of Asheville as winner of the Jane Bingham Prize. Dusk and A Brief History of Penguins and Promiscuity premiered at the Grove Theatre Center in Los Angeles in June, 2007 and January, 2008 respectively. This past summer, Mr. McLindon workshopped Faith at the Seven Devils Playwrights Conference in McCall, Idaho, and at the Lark Theatre’s Playwrights’ Week in New York. He also workshopped a second new full-length play, Saving Grace, at the PlayPenn Conference in Philadelphia. His other plays have been developed and/or produced at theaters such as the Abingdon, hotINK Festival, Irish Repertory, Samuel French Ten-Minute Play Festival, Penguin Repertory, Emerging Artists Theatre, Love Creek Productions, and HRC Showcase Theatre in New York; Victory Gardens, Prop Thtr, and Stage Left in Chicago; Colony Theatre, Theatricum Botanicum, Grove Theatre Center, and Circus Theatricals in Los Angeles; the Arkansas Rep in Little Rock, and the Ashland New Plays Festival in Oregon.


Nicole Pandolfo
NICOLE PANDOLFO (Canadian Tuxedo) graduated from New York University in 2006 with a B.A. in Metropolitan Studies, which she will put to use later during her philanthropic period. In the meantime she is an actress and playwright who lives and works in New York City. She currently studies at HB Studio under the profound tutelage of Austin Pendleton and Julie McKee. She was recently seen playing the role of “Ethel” in the improvised web comedy series, The Villagers, directed by legendary comic book artist, Kevin Maguire. Her one woman show, Love in the Time of Chlamydia, written, directed, and performed by Nicole, was featured as part of the Illuminating Artists New Work Series at Emerging Artists Theatre in New York City in May. She is from New Jersey and does not understand anti-Jersey sentiments. She thinks meeting Cher and playing her in a movie would be the tops. She thanks her mother, Adele, and her family and friends for their love and support.

 


Philip Dawkins

PHILIP DAWKINS (Nothing) is a Chicago playwright and educator originally from Phoenix, Arizona. He is a graduate of Loyola University, Chicago with degrees in Theatre and Math. His play, Yes to Everything! was performed this year at the Side Project (cut to the Quick) as well as previously in NY, CA, DC and all around the country. Last year, his play Perfect premiered at the Side Project under the direction of Stephen Cone. Other Chicago credits: You Gonna Eat That? (HealthWorks), Ugly Baby (Chicago Vanguard/Strawdog Theatre Company), A Still Life In Color (T.U.T.A. Company), The Man With a Shattered World (Ethington Theatre, AZ), Saguaro (Estrogen Fest, Chicago; Estrogenius Festival, NY; 16th Street Theatre, Berwyn, IL, Painted Filly, Ireland.). Philip’s writing has been published in The Stranger and The Packington Review and his play, Edgar and Ellen: Bad Seeds (Northlight Theatre) will be published by Playscripts International this spring. Philip is currently writing an opera trilogy with his writing partner Eric C. Reda. He is the ARTS Program Director at Pegasus Players, and teaches playwriting in public schools through Chicago Dramatists. He also leads bicycle tours of Chicago through Bobby’s Bike Hikes, and teaches Kung Fu to little, tiny, children. Hi-YAH!

 

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